Friday, December 18, 2009
Thursday, December 17, 2009
Monday, December 14, 2009
Sunday, December 13, 2009
Each day, I place a photo negative on a piece of photo paper and put in it inside a jar. I put the jar outside for 24 hours, creating a print on the paper, a record of each day's light.




If I made a properly exposed contact print of the negative, it would look like this:

But each day's print looks different, depending on the amount of light. Here are a few prints.
November 27, exposure in Reykjavik:

December 4, exposure in Skagaströnd:

December 8, exposure in Skagaströnd:

December 11, exposure in Skagaströnd:

December 12, exposure in Skagaströnd:

All together:
If I made a properly exposed contact print of the negative, it would look like this:

But each day's print looks different, depending on the amount of light. Here are a few prints.
November 27, exposure in Reykjavik:

December 4, exposure in Skagaströnd:

December 8, exposure in Skagaströnd:

December 11, exposure in Skagaströnd:

December 12, exposure in Skagaströnd:

All together:
Saturday, December 12, 2009
Nes Open Studios, November:
Five pieces of paper, one with text, are layered and glued together, with blank sheets in front of and behind the sheet with text. They are placed in front of a mirror, and lit from the front, and from the front they are blank. But in the mirror reflection, a ghost of the text from the inside layer appears.






Five pieces of paper, one with text, are layered and glued together, with blank sheets in front of and behind the sheet with text. They are placed in front of a mirror, and lit from the front, and from the front they are blank. But in the mirror reflection, a ghost of the text from the inside layer appears.



Sunday, November 22, 2009
Moustache Gloves
Wednesday, November 11, 2009
Saturday, November 7, 2009
Mobiles


Cloud Mobiles from Elizabeth Tubergen on Vimeo.
Wool and wire. Isolation installation view, each mobile is about 6" long.
Monday, October 26, 2009
Friday, October 9, 2009
Monday, September 21, 2009
Tuesday, August 18, 2009
Monday, August 17, 2009
Friday, August 7, 2009
Thursday, June 25, 2009
Monday, May 25, 2009
Wednesday, April 22, 2009
Tuesday, April 14, 2009
Sunday, March 29, 2009
Tuesday, March 17, 2009
Thursday, March 12, 2009
Tuesday, February 24, 2009
Monday, February 23, 2009
Wednesday, February 4, 2009
Smoke
Untitled from Elizabeth Tubergen on Vimeo.
Untitled from Elizabeth Tubergen on Vimeo.
Untitled from Elizabeth Tubergen on Vimeo.
Sunday, February 1, 2009
Public Book Space Providence
Read about the project here.
Thanks to Jim at Hope Bindery for the lovely book.
Images by Luke Herron.
Tuesday, January 27, 2009
Thursday, January 15, 2009
Sunday, January 4, 2009
Sunday, December 21, 2008
Sunday, December 7, 2008
Friday, October 3, 2008
Monday, September 29, 2008
Monday, September 15, 2008
Dinner?
I have found myself in a situation with a large kitchen, so, please, if you are in New York and hungry or want some company, email me and I will have you over for dinner. Here's the deal: you bring the drinks, I'll make you something to eat. Email me at etubergen@gmail.com
Thursday, August 14, 2008
Thursday, August 7, 2008
Strings too Short to Use: Sometimes it is hardly worth breathing. Cats understand this stillness, a moment when breath is impossible, the weight of a loved one slipping into sleep or a feather skimming water, the residue of flight.
Monday, July 21, 2008
Sunday, July 13, 2008
Saturday, July 12, 2008
Tuesday, July 8, 2008
Sunday, July 6, 2008
Friday, July 4, 2008
Dress
Monday, June 30, 2008
Wednesday, June 25, 2008
Saturday, May 31, 2008
Recent Social Actions (for Covenant College)
Chapel Push, action, 2008.
At Covenant College, where faith is prioritized, I physically pushed the Chapel building, a center for acknowledging faith, daily. The building, on the side of Lookout Mountain, is rumored to be slowly descending into the valley because of poor design, and I lent my muscles to the force of gravity, encouraging honest doubt as a way of understanding faith in a seemingly pathetic and impossible task.
+chapel+push.jpg)
PODS Unit with Fog video, runtime 15 minutes, 2008.
At Covenant College, an environment where there is little room for contemporary art and the discourse surrounding it, I created a portable and temporary space in which I exhibited a video shot in the fog: a common weather occurrence at the college. In the video, a wandering figure disappears and re-appears with no apparent aim or end.
Chapel Push, action, 2008.
At Covenant College, where faith is prioritized, I physically pushed the Chapel building, a center for acknowledging faith, daily. The building, on the side of Lookout Mountain, is rumored to be slowly descending into the valley because of poor design, and I lent my muscles to the force of gravity, encouraging honest doubt as a way of understanding faith in a seemingly pathetic and impossible task.
+chapel+push.jpg)
PODS Unit with Fog video, runtime 15 minutes, 2008.
At Covenant College, an environment where there is little room for contemporary art and the discourse surrounding it, I created a portable and temporary space in which I exhibited a video shot in the fog: a common weather occurrence at the college. In the video, a wandering figure disappears and re-appears with no apparent aim or end.
Recent Actions: Spiral Staircase and Power Line Swing
Friday, May 30, 2008
new work for the Underground Studios
Tuesday, May 13, 2008
Untitled from Elizabeth Tubergen on Vimeo.
In order to conquer my fear of surprises and loud noises, I popped fifteen balloons consecutively. I did not succeed in conquering my fear.
Wednesday, April 30, 2008
Here and There is about distance: the space that is here, the
space that is there, and the space between here and there.
In my Senior Integration Project, physical objects provide a
point of departure for the viewer, evoking a mood of
frustrated intimacy while necessitating viewer interaction.
The space in which each piece exists is intimate and
temporary—words of dust live in a slice of mirror,
photographs of former backyards in the darkness of plaster
boxes, videos on precariously balanced stands and in a
portable on demand storage unit. While encouraging the
viewer to interact and play with new tools, these pieces
simultaneously gasp for breath, futility longing to close the
gap between here and there, fighting dislocation, transience,
shallow roots, and their own dwindling life spans. These
objects exist in the space between nostalgia and cynicism,
exchange and change, and reference a specific and genuine
personal narrative characterized by doubt, desire, risk, pain,
and grace.
space that is there, and the space between here and there.
In my Senior Integration Project, physical objects provide a
point of departure for the viewer, evoking a mood of
frustrated intimacy while necessitating viewer interaction.
The space in which each piece exists is intimate and
temporary—words of dust live in a slice of mirror,
photographs of former backyards in the darkness of plaster
boxes, videos on precariously balanced stands and in a
portable on demand storage unit. While encouraging the
viewer to interact and play with new tools, these pieces
simultaneously gasp for breath, futility longing to close the
gap between here and there, fighting dislocation, transience,
shallow roots, and their own dwindling life spans. These
objects exist in the space between nostalgia and cynicism,
exchange and change, and reference a specific and genuine
personal narrative characterized by doubt, desire, risk, pain,
and grace.
Tuesday, April 29, 2008
Friday, April 25, 2008
Tuesday, April 22, 2008
Monday, April 21, 2008
Saturday, April 19, 2008
MacDowell Colony
I'll be at the MacDowell Colony working in the Heinz studio for the month of July. Check it out here : http://www.macdowellcolony.org
Thursday, April 10, 2008
Here and There
The Elusive Home is a part of a larger exhibition, Here and There. Read about it here: http://www.bagpipeonline.com/?p=3147
Friday, April 4, 2008
Show: The Elusive Home
Thursday, January 31, 2008
Public Book Space project
Image from Kresge Memorial Library in Lookout Mountain, GA, 2008.
Project Description
In order to create Public Book Space, I will produce an edition of fifty books to be given permanently to fifty public libraries in the United States. The books will be blank, except for a brief foreword, which will encourage library patrons to mark in the books, filling it with their own content. The books will become a part of each library’s collection—they will be catalogued, shelved, and available for checkout by library patrons. Each book will undergo a separate and normal shelf life, including its eventual discard or censorship if the individual library determines either is necessary. Hardcover, hand-bound and letter-pressed, each book will be unique to the community in which it is placed. The area and population of the city in which each book is placed will determine its size and number of pages.
Project Goals
In presenting Public Book Space to the art community, I hope to present it not only as my project, but also as a continuing collaboration with the American public. Library goers are integral to the development of the project. In a gallery setting, Public Book Space should provide comparisons between communities and evoke relevant questions about books, collaboration and public art. However, the intended settings for the books are the public libraries and residencies of library patrons across the United States.
Public Book Space will be a direct invitation, promoting generosity of thoughts, stories, and ideas by creating a space for a continuous written dialogue. It will use the widely accepted framework of the library to interact with the public—the audience for this project includes any library-goer in one of fifty participating cities in the United States.
By placing blank books in public libraries, I hope to facilitate a space for tangible accumulation of public interaction and participation. Public Book Space hopes to challenge the way library goers consider information by transforming an informational space, the book, into a space not only for information but also for interaction. Not only will these books be passages to information, but also destinations, places of give and take, tools for interaction.
Under Cover exhibit
In Pursuit of Rest
Tuesday, January 29, 2008
Subscribe to:
Posts (Atom)









































































